Technological unemployment - Wikipedia

Technological unemployment

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Music for dancefloors and living rooms at the same time, charismatic and dynamic! You can imagine this very special "summer party vibe" while listening to Ilario's mix which incorporates the right elements such as emotional piano-breaks, cool vocal-samples, kicking house-beats and hypnotic basslines. It is growth, but not economic. Victor points out that was the last year that "the world economy was just at the level of the capacity of the planet to support it. Freeman , [] and Noah Smith. We could produce artificial, lab-grown meat so that we don't have to use a third of the planet's arable land for livestock production to feed a growing population.

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We proudly look back to some of the highlights on Cocoon Recordings such as our th anniversary release compilation or the last Minilogue album. We have to admit it in front: And then there is the massive investment to finance the surge in unconventionals. When the economy is expanding faster than the population and everyone benefits from the expansion, the majority of people feel their chances of getting ahead are positive. Adapting to them "will require shifts in mindsets, policies, investments especially in human capital , and quite possibly models of employment and distribution". Venezuela has been unable to afford to import enough food for its population.

Technologies that aim to increase crop production are gene splicing and bringing some animals and plants back from extinction. BECCS entails the same cost for pipelines, compressors, and pumps, but also requires vast tracts of farmland.

By one calculation, an area the size of India would have to be planted in fast-growing crops destined to be combusted in order to offset less than a third of our current carbon dioxide emissions. Setting aside so much arable land for CCS seems highly unrealistic given that more land will also be needed to grow crops to feed a larger human population. The prospects for carbon farming -- using soil-building agricultural techniques to capture atmospheric carbon and sequester it -- are more favorable.

This would yield safer and more nutritious food, protect biodiversity, and pump less pollution into the environment. However, recent research questions the potential of soils to take up carbon.

Also, carbon farming is set of techniques that will require significant changes to industrial agriculture. It is not likely to take off without initiative, investment, effort, and sacrifice, supported by political will manifesting through regulations and subsidies. Managing solar radiation with space mirrors or white roofing material wouldn't remove greenhouse gases from the atmosphere and therefore wouldn't reduce other effects from these gases, principally ocean acidification.

Seeding the atmosphere or oceans with sulfur or other chemicals might have serious unintended consequences, such as significant changes to the hydrological cycle or ozone depletion. Such effects might be cumulative or chaotic in nature, and hard to predict with existing models.

And, unless geo-engineering efforts were kept continually operating, climate change impacts being held at bay would immediately reassert themselves.

So far, gene-splicing technologies have mostly been used to make crops immune to proprietary herbicides, with a resulting increase in herbicide usage and little change in crop productivity.

Is it worth spraying our fields with even more glyphosate, which the World Health Organization has found to be a "probable" carcinogen that's also associated with collapsing populations of monarch butterflies? Big claims are being made for new gene-splicing technologies such as CRISPR, which could open the door to different kinds of potential food production improvements.

But who would benefit from whatever "improvements" are actually achieved? Some of the agricultural applications of CRISPR being researched include ones that would alter the biology of insects and weeds, which could spread their edited genes rapidly through wild populations, possibly reshaping entire plant or animal communities in just a few years.

The prospects for side effects, such as upsetting food webs and facilitating invasions by other species, are as obvious as they are serious. Reviving long-gone animals like the mammoth or the passenger pigeon will be a meaningless exercise if these species have no habitat. So far technology has not solved our biggest problems: The most promising solutions with the fewest likely negative side effects are changes in human behavior and in systems.

Throughout the world, successful programs for biodiversity protection have centered on limiting deforestation, restricting fishing, and paying poor landowners to protect wilderness areas.

Wilson's vison of setting aside half the Earth's land and seas for biodiversity recovery is both necessary and feasible, according to one expert. We lack insufficient investment capacity to bring about technological solutions. Most nations can't even afford to maintain much of the infrastructure they already have in place, much less do they have the means to deploy most of the above solutions at the scale needed in order to deal with our three big problems of climate change, overpopulation, and biodiversity loss.

Especially given the enormous existing levels of government debt throughout the world. Many shifts in energy usage technology that will be needed to support the transition to all-renewable energy will require households to invest in new machines electric cars, electric heat pumps to replace furnaces, electric induction cooking stoves to replace gas stoves, solar hot water systems , but most households are likewise drowning in debt.

In addition, the rapid, unprecedented technological transformation that roiled the twentieth century depended upon conditions that cannot be expected to continue.

These included the rising availability of cheap energy, plentiful raw materials, fast-growing economies, and the capacity to generate enormous amounts of investment capital. In the future we can expect constrained amounts of available energy, depleting raw materials, stagnant economies, and mountains of debt. The global economy is generally slowing, a phenomenon called "secular stagnation.

Many, if not all, technologies discussed above will have their own negative consequences that, in a few cases, may be as serious as the problems they're intended to solve. Even solar and wind power, whose climate impacts are far lower than those of the fossil fuels they may replace, imply environmental risks and costs, including resource depletion and pollution associated with raw materials extraction and the manufacturing, transport, and installation of panels and turbines.

Inequality, like the other problems we've been discussing, is worsening: Further, as social problems tied to economic inequality proliferate and deepen, they tend to absorb our attention to the point that we lose sight of the ecological conditions that contribute to them-such as climate change and overpopulation.

In other words, it is a very serious problem -- as serious in its own way as the three-make-or-break global dilemmas mentioned above. Policy makers seem to be trying to do four things at once in order to keep social and ecological chaos at bay: Yet from a practical standpoint, the second aim is at odds with the first and the third: Meanwhile, a larger economy is overwhelmingly likely to have a larger throughput of energy and materials, putting 4 at odds with 3.

Policy makers tend to assume that the technology-related trends mentioned above somehow can eventually make inequality, and the contradictions just mentioned, disappear. Since the administration of John F. Kennedy, economists have delighted in equating economic growth to "a rising tide that lifts all boats.

And how helpful is a rising tide if it threatens to undermine the life-supporting capacity of planetary systems? Demographic transition is a shift, observed over the past century in many countries, from high birth and death rates to lower birth and death rates and slower net population growth as those countries became more industrialized and urbanized -- i.

Although addressing the inequality problem could help solve our population dilemma, it also could unintentionally increase overall consumption levels. When currently poor people become wealthier, they tend to spend most of their income gains on consumption, whereas wealthy people tend to withhold more of their income for savings and investments.

The proposed solution is to decouple GDP growth from energy usage and resource consumption -- to do more with less. Decoupling is suggested as the main key to banishing the contradiction inherent in trying to resolve inequality, population growth, and rising environmental impacts.

Unfortunately, it turns out that decoupling has been oversold. A recent paper in Proceedings of the National Academy of Sciences showed that even the relative decoupling that most economists believe industrial nations have already achieved is actually the result of false accounting.

Without decoupling, the contradiction between reducing inequality on one hand, and resolving our environmental problems on the other, remains firmly in place. Before fossil fuels, and before the technological revolution they fueled, we were forced to confront and adapt to limits. We codified lessons about limits in a set of virtues sufficiency, modesty, thrift, generosity, and self-control , and vices greed, selfishness, envy, and gluttony that were held similarly by people everywhere, in very different and distant societies.

Lately we have come to believe that technology makes these virtues and vices at least partly obsolete. We are encouraged to want more, consume more, and waste more because the economy demands it.

But doing so doesn't make us better people; it usually does just the opposite. By abandoning those old virtues and ignoring those vices, we merely become more dangerous to ourselves, one another, and our environment. Personal Actions Climate Stability: Ditch the screen and reconnect with the people in your life. Take the pledge to unplug. Talk with friends and loved ones about family size.

Turn your yard, balcony container garden, schoolyard, or work landscape into Certified Wildlife Habitat. Learn how to build resilience in your own community. Take the Think Resilience online course. Community Actions Climate Stability: Host a Turn21 event. It's time we grew up and treated the planet and each other with respect.

Take part in some citizen science, and help track wild bird populations. Participate in the Christmas Bird Count. Shift the way your friends and colleagues think about the issues we face. Organize a discussion group for the Think Resilience course. Support the Population Media Center and change lives by changing the story. Volunteer with the Land Trust Alliance to protect and conserve natural habitats. Share this manifesto with 10 people.

Include your local, state, or national representatives. Family planning helps get families out of poverty, thus lessening inequality of wealth. Gail Tverberg says "We should expect financial collapse quite soon - perhaps as soon as the next few months.

Energy is essential to the economy, because energy is what makes objects move, and what provides heat for cooking food and for industrial processes. We can't use the prior energy approach because we keep adding new layers of the economy on top of the old layers.

As new layers including new products, laws, and consumers are added, old ones are removed. For example, if cars can no longer be used, it would be difficult to transition back to horses. After a civilization finds a way to produce more food for example, cuts down trees so that citizens have more area to farm or finds another way to otherwise increase productivity such as adding irrigation , growth at first continues for a number of generations - until the population reaches the new carrying capacity of the land.

Often resources start to degrade as well - for example, soil erosion may become a problem. At this point, growth flattens out, and wage disparity and growing debt become greater problems. Eventually, unless the group can find a way of increasing the amount of food and other needed goods produced each year such as getting food and other materials from territories in other parts of the world, or conquering another civilization and taking their land , the civilization is headed for collapse.

We recently have tried globalization, with exports from China, India, and other Asian nations fueling world economic growth. At some point, the efforts to keep growing the economy to match rising population become unsuccessful, and collapse sets in.

One of the reasons for collapse is that the government cannot collect enough taxes. This happens because with growing wage disparity, many of the workers cannot afford to pay much in taxes. One of the major contributing factors to the collapse of the Soviet Union was low oil prices. As oil prices fell, the government could not collect sufficient taxes. There was a year gap between the highest oil price and collapse , and a 5-year gap after oil prices dropped to the low price level.

Venezuela has been unable to afford to import enough food for its population. On an inflation-adjusted basis, world oil prices hit a high point first in , and again in Since , oil prices slid slowly for a while, then began to slide more quickly in With low oil prices, the country has been unable to collect sufficient tax revenue.

Also, the value of the currency has dropped, making it difficult for Venezuela to afford food and other products on international markets. Oil importing countries can have troubles when oil prices rise, similar to the problems that oil exporting countries have when oil prices fall.

Greece's energy consumption peaked in One of Greece's major products is tourism, and the cost of tourism depends on the price of oil. When the price of oil was high, it adversely affected tourism.

Once oil prices dropped as they have done, especially since , tourism tended to rebound and the financial situation became less dire. But total energy consumption has still tended to decline, indicating that the country is not yet doing well. Spain follows a pattern similar to Greece's.

By the mids, high oil prices made Spain less competitive in the world market, leading to falling job opportunities and less energy consumption. Since , very low oil prices have allowed tourism to rebound. Oil consumption has also rebounded a bit. But Spain is still far below its peak in energy consumption in , indicating that job opportunities and spending by its citizens are still low. We hear much about rising manufacturing in the Far East.

This has been made possible by the availability of both inexpensive coal supplies and inexpensive labor. India is an example of a country where manufacturing has risen in recent years. China's energy consumption grew very rapidly after it joined the World Trade Organization in In , however, China's coal consumption hit a peak and began to decline.

One major contributor was the fact that the cheap-to-consume coal that was available nearby had already been extracted. The severe problems that China has had with pollution from coal may also have played a role. In adding up energy from various sources, it is clear that adding electricity from renewables primarily wind and solar does not make much difference for China, no matter how wind and solar are counted.

If they are counted in a realistic manner, they truly add little to China's energy use. This is also true for the world in total. If we look at the major parts of world energy consumption, we see that oil including biofuels is the largest.

Recently, it seems to be growing slightly more quickly than other energy consumption, perhaps because of the low oil price. World coal consumption has been declining since If coal is historically the least expensive fuel, this is likely a problem. Total world energy consumption is still growing, but it is growing less rapidly than world population.

If the world economy is to grow, then the world's need for growing energy consumption needs to grow. The growth in world energy consumption tends to be a little lower than the growth in GDP, because of efficiency gains over time. The charts show that drops in energy consumption tend to precede drops in world GDP; rises in energy consumption tend to precede rises in world GDP. This order of events strongly suggests that rising energy consumption is a major cause of world GDP growth.

Recent world GDP estimates seem to accept without question the very high estimates of economic growth given by China, even though their growth in energy consumption is very much lower in through Thus, world economic growth may already be lower than reported amounts.

If this amount is growing, an economy is in some sense becoming more capable of producing goods and services, and thus is becoming wealthier. Workers are likely becoming more productive, because the additional energy per capita allows the use of more and larger machines including computers to leverage human labor. The additional productivity allows wages to rise. With higher incomes, workers can afford to buy an increasing amount of goods and services.

Businesses can expand to serve the growing population, and the increasingly wealthy customers. Taxes can rise, so it is possible for governments to provide the services that citizens desire, such as healthcare and pensions.

When energy consumption per capita turns negative, these abilities start to disappear. This is the problem we are starting to encounter. Once prices spiked in the period, much of the world entered recession, and energy consumption per capita barely rose.

A second drop in consumption and recession occurred in the late s and early s, when easy-to-adopt changes were made to cut oil usage and increase efficiency.

Most people remember the Great Recession in the period, when world per capita growth in energy consumption briefly became negative. Recent data suggests that we are almost in the same adverse situation now as we were then. When growth in world per capita energy consumption slows and starts to fall, we start seeing problems with low wages, particularly for people with low-skilled jobs, and the type of political problems we have been experiencing recently.

When countries with a high-priced mix of energy products start to find their goods and services uncompetitive in the world marketplace, demand for goods and services from these countries starts to fall. Greece and Spain are examples of countries using a lot of oil in their energy mix. As a result, they became less competitive in the world market when oil prices rose. China and India were favored because they had a less-expensive energy mix, favoring coal.

It is becoming increasingly clear that no price of oil is now satisfactory for all participants in the economy.

Prices are either too high for consumers, or too low for the producers. In fact, prices can be unsatisfactory for both consumers and producers at the same time. Oil prices are volatile because it is difficult to keep supply and demand exactly balanced, and there are many factors determining needed price level, including both the amount consumers can afford and the costs of producers.

Also interest rate changes will result in changes in currency relativities and debt growth. We are now reaching a point where no interest rate works for all members of the economy. If interest rates are low, pension plans cannot meet their obligations. If interest rates are high, monthly payments for homes and cars become unaffordable for customers. Also, high interest rates tend to raise needed tax levels for governments.

Our economy needs more rapid growth in energy consumption to provide enough tax revenue for all of our governments and intergovernmental organizations, and to keep the world economy growing quickly enough to prevent large debt defaults. If such high prices were really possible, we could extract all of the oil that we have the technical capacity to extract.

High-cost renewables would become economically feasible as well. Unfortunately, when the world economy is stimulated by more debt, only a small part of this additional debt makes its way back to the wages of non-elite workers. With greater global competition in wages, the wages of these workers tend to stay low. The limited demand of these workers tends to keep commodity prices, especially oil prices, from rising very high, for very long.

It is affordability that limits our ability to grow endlessly. While it is possible to argue that more debt might help raise the wages of non-elite workers in a particular country, if one country adds more debt, other currencies around the world can be expected to rebalance.

As a result, there would be no real benefit, unless all countries together could add more debt. Even this would be of questionable value, because the whole effort relates to getting oil and other commodity prices to rise to an adequate level for producers; we have already seen that there is no price level that is satisfactory for both producers and consumers.

Human civilization can thrive while living within sensible limits imposed by a finite system. In this conclusion of a two-part interview, Kate finishes her list of seven fundamentals to achieving a healthy 21st century economy. Her recently published book, Doughnut Economics: This conversation includes some of Raworth's ideas about how we can put into practice what she is preaching.

The world's richest economies - in the OECD countries - have produced the highest levels of income inequality in 30 years, have ecological footprints of a size that would require 4 to 6 planet Earths if all countries had their footprint, and have become divisive and degenerative by default. They wrote enthusiastically of the role played by market forces and mechanisms in pulling an economy into equilibrium.

However, since the fragility and contagion of global financial markets was exposed in the crash, their theory was proven inadequate. People and money are not as obedient as gravity, yet their false discoveries have been used to justify growth-first policymaking. In , the economist Simon Kuznets used a study with scant data to suggest that, as a nation's GDP grows, inequality first rises, then levels off, and ultimately starts to fall.

The message of that curve is that, when it comes to inequality, it has to get worse before it can get better, and more growth will make it better. The Kuznets Curve became a justification for trickle-down economics and for enduring austerity today.

In the s, economists Gene Grossman and Alan Krueger developed a theory that applied only to pollution and appeared to follow the very same trajectory as Kuznets' curve on inequality: This was called the "Environmental Kuznets Curve", and the message was: Far from being a necessary phase of development, extreme inequality and environmental degradation are the result of policy choices, and these choices can be changed.

In the place of laws to be obeyed, there are design decisions to be made. Economy is like the living world: It is time to start to steward the economic garden. Economic gardeners can help to create a thriving economy -- one that is inclusive and sustainable and will help to achieve the sustainable development goals -- by following two core principles: Instead of using up Earth's resources, we use them again and again and again.

We learn to work with, not against, the cyclical processes of life, including those for carbon, water and nutrients.

We can start turning last century's degenerative economy into this century's regenerative one. Distributive economic design would include employee-owned companies - such as the John Lewis Partnership and Unipart - that reward committed employees rather than short-term shareholders. And community-owned renewable-energy systems that generate electricity along with income for community purpose. And creative commons licensing that enables valuable innovations.

We should mimic nature's process of natural selection, which can be summed up as diversify-select-amplify: Nobel-prize-winning political scientist Elinor Ostrom agreed.

Better still, every one of us can have a hand in shaping the economy's evolution. Not just in how we shop, eat and travel, but in how we volunteer, invest and protest. In how we set up new businesses, save for our pensions, license our inventions, and power our homes.

However, let us not ignore the other side of the problem: Population growth can wipe out any gains made by achieving an ideal economy. A View to The growth of demand will be limited by efficiency gains. Our Outlook for Energy can help people understand factors influencing future energy supply and demand and inform industries and governments as they consider future energy policy.

Car fuel economy for new cars will improve from about 30 miles per gallon to nearly 50 miles per gallon. Global energy-related carbon dioxide emissions are expected to peak during the s and then gradually decline. WOA disagrees with the conclusions in this article. See the comment below for our remarks.

Oil will provide about one third of the world's energy in , remaining the No. Global energy-related carbon dioxide emissions are likely to peak during the s and begin to decline, even as global economic output doubles from to North America, which for decades had been an oil importer, is likely to become a significant net exporter by This makes our current economy and lifestyle more expensive because the expense of producing energy cuts into areas of our economy such as the arts and entertainment, education, health, and,eventually, the food supply.

In addition, there is no sign that everyone will improve their lifestyle. When we add another 2 billion, a large percentage of the already in poor countries, we have to reason to think that they will achieve a good life better than the 2 billion already in poverty. How is this going to grow the economy? I would hope it would have improved by If the percentage of non-fossil fuels has remained unchanged by , how can there be improved energy efficiency?

There may be improvements in the way we use energy, such as energy efficient appliances, and electric cars, but there has been a diminishing of returns when it comes to energy-efficient appliances, especially when appliances don't last as long as they used to, and think of the energy it takes to make new ones.

Since his second term as prime minister began in , Shinzo Abe has made the economy his core agenda. They call his economic policy Abenomics, which is composed of three prongs: Abe has aggressively pursued fiscal stimulus, recently approving a multibillion-dollar stimulus magazine, while the Bank of Japan has taken the once-unprecedented step of maintaining a negative interest rate.

One of the key reasons cited for Japan's sluggish economy is its ageing workforce, and so a crucial focus of his policy has been repairing the Japanese labour market. The country's fertility rates have plummeted, and at present the birth rate sits at 1. At the same time, advances in medical science have meant Japanese people are living longer than ever before; Japan has the oldest population of any major economy in the world.

Depressed birth rates have meant there are fewer young people who are able to join the workforce, while an ageing population means there are more people leaving the workforce and then living for longer periods of time.

This has has stunted the Japanese economy's ability to grow, while a large pool of retirees - drawing their living from previously acquired wealth - has meant less saving funds for investment. A large retired population is testament to Japan's ability to provide a decent quality of life, allowing record numbers to live longer lives. However, the issue of fewer people entering the workforce can and - to a limited extent - is being addressed by Abe.

Compared to the rest of the industrialized world, Japan has a much lower labor force participation rate for women. Boosting the number of women entering the workforce, then, would help alleviate current demographic pressures. Abe has pursued policies in this direction: His reforms aimed at creating conditions that will encourage more women to enter the workforce seem to be working to a limited extent: Abe has worked towards expanding access to childcare, and has pledged that by Japan's currently long waiting lists for childcare facilities will be eliminated, allowing some , children to be accommodated.

At the same time, experimental policies are being pursued to lift bans on immigrant housekeepers in Osaka and Kanagawa, with an eye to expanding the policy nationally. Another key issue affecting Japan's ability to deal with its ageing population is immigration. Japan is, for an advanced economy, a uniquely homogenous society.

While much of the industrialised world has seen major waves of migration since the mid-to-lateth century, Japan has largely declined to open its doors to foreign workers. Abe he has recognized the economic necessity of boosting immigration in order to address his country's demographic issues.

Abe has a deep commitment to Japanese conservatism, yet his commitment to the country and to reforming his economy has led him to compromise on such principles in the name of pragmatism. If Japan is able to continue pushing ahead with such reforms, he may well prove himself to be the saviour of Japan's sluggish economy. The reason Japan has been able to maintain a decent life style is because it has kept its population in check.

Japan imports most of its food. If its trading partners are also in ecological debt, Japan is vulnerable to a disruption in its resource supply. If everyone in the world lived the same lifestyle as the average Japanese citizen, we would need the equivalent of 2.

The preamble of the UN's Sustainable Development Goals affirms that "planet Earth and its ecosystems are our home" and underscores the necessity of achieving "harmony with nature". It commits to holding global warming below 2C, and calls for "sustainable patterns of production and consumption", seeming to recognize the inherent tension between economic development and the ecology of our planet. This language signals awareness that something about our economic system has gone terribly awry -- that we cannot continue chewing through the living planet without gravely endangering our security and prosperity, and indeed the future viability of our species.

This aligns with the writer Jason Hickel's claim that the global economy has already outgrown the Earth. We must end growth -- not just to save our planet but to refocus the economy on meeting human needs. In other words, growth isn't an option any more - we've already grown too much. Scientists tell us we are witnessing the greatest mass extinction of species in more than 66 million years.

The hard truth is that our ecological overshoot is due almost entirely to over-consumption in rich countries, particularly the West. SDG 8 calls for improving "global resource efficiency" and "decoupling economic growth from environmental degradation". By we are projected to reach more than double the world's shipping, trucking, and air miles -- along with all the things those vehicles transport.

Some GDP growth may still be necessary in poorer countries; but for the world as a whole, the only option is intentional de-growth and a rapid shift to a "steady-state" that maintains economic activity at ecological equilibrium. De-growth does not mean poverty. On the contrary, de-growth is perfectly compatible with high levels of human development. It is entirely possible for us to shrink our resource consumption while increasing things that really matter such as human happiness, well-being, education, health and longevity.

We need to replace GDP with a saner measure of human progress, such as the Genuine Progress Indicator, and abandon the notion of exponential economic growth. De-growth will require eliminating unnecessary production and work, but this presents us with a beautiful opportunity to shorten the working week and give some thought to that other big idea that has captured the public's imagination over the past couple of years: It could be funded by including progressive taxes on commercial land use, financial transactions, foreign currency transactions and capital gains.

In an age of rapid automation, full employment is a pipe dream anyhow. It's time we think of ways to facilitate reliable livelihoods in the absence of formal employment. This will allow people to escape exploitative labour arrangements and incentivize employers to improve working conditions - two goals that the SDGs set out to achieve. What's more, it will allow people to invest more of their time and effort into things that matter: In the film "Mother Caring for Seven Billion", Mathis Wackernagle says that the Earth could support 8 billion only if we live like the average person in India.

Virtually every empire has experienced this lesson: The greater the concentration of wealth and power, the lower the social mobility; the lower the social mobility, the greater the odds that the system will collapse when faced with a crisis that it would have easily handled in more egalitarian times.

When the economy is expanding faster than the population and everyone benefits from the expansion, the majority of people feel their chances of getting ahead are positive. But when the economy is stagnating, and those at the top are seen still amassing monumental gains, the majority realizes their chances of securing a better life are declining and frustration, anger and a disavowal of the corrupt status quo set in.

Precisely what the U. The status quo exists to protect the privileged, period. Instead of hard work being rewarded, "getting ahead" is redefined as "running in place to keep from falling behind". One of my projects is to better understand what social, economic and cultural elements of empires enabled their rise and durability. I was especially interested in locating traits shared by virtually all empires that endured. Of all the empires that endured, they had in common high levels of social mobility: When social mobility is lost, all those denied access to the empire's top rungs leave for greener pastures or devote their energy and ambition to bringing the empire down.

Social mobility is only possible if merit is valued more than privilege. When only the cronies can reach the top, the empire crumbles under the weight of incompetence, squabbling among the elite, inefficiency and wasted resources, while the best and the brightest seek outlets for their ambition elsewhere--often in the ranks of the empire's enemies. The Roman Empire accepted people of many ethnicities and origins as Roman citizens.

A free citizen of a distant Roman province was as fully a citizen of Rome as a free resident of Rome. The engine was rebuilt by Troy McLawhorn and utilizes a period Cartech turbocharger setup which has been restored and upgraded. National Speed in Wilmington, North Carolina performed any final tuning. The engine also utilizes a Fidanza aluminum flywheel in conjunction with a stronger Centerforce II clutch which sends power into the five-speed manual gearbox.

Further specifications for the engine and drivetrain are as follows:. The car was featured in the Fall issue of Nismo magazine.

Records and receipts from the modifications are included with the sale, many of which are shown in the gallery below. This Datsun Z got away, but there are more like it here. BaT Essentials Lot Seller: Greenville, North Carolina Chassis: Private Party Model Page: List Your Car on B a T. Techno ClassicA Essen March 21 - Blackhawk Museum Cars and Coffee April 1. Tietjen proves that he developed into a vital and profound DJ throughout these years and that this final edition is the dignified product to end this era!

The labels repertoire consists of a variety of styles like techno, house, minimal, dub and even chill-out and experimental tracks. If you count in all remixers and collab-producers this final edition features more than 40 artists on just one CD! Despite the many different names with all their very own styles the final mix turned out very well.

The transitions and the arrangement appears very harmonic and homogenic. And we better do not even start explaing each and every track here and what it means for us or why Chris picked it - this would need way more space than we have in this info. However we have to say that most of these tracks are the soundtrack of our life, of our past ten years. This is more than just a CD for us, it is a haptic souvenir from our musical journey and it is a damn good mix on top!

Two masters of their craft and two specialists for merging minimal techno with dark house vibes. This particular sound that is high on demand when the club crowd get lost in the middle of night. Lost in the hot air that makes their bodies sweat.

This very special sound, based on hypnotic and minimal beats with every bass sound hitting your body and soul. This is the sound of our time and the soundtrack of our lives that happens on the dark and crazy floors all over the world. They are not trying to re-arrange and re-define the original at all which is exactly what is needed here. The result is an even deeper and even more hard-edged dub that lies somewhere between ingenuity and insanity.

The dub relfects that special vibe of dark and foggy dance floors with all those happy dancers that just want to dance Kill the bassdrum and bring it back in Everything Len Faki Remix. Faki gives the original track a massive Berlin flavoured techno polish. He emphasizes the arid but loud bassline and the manic synthline even more and delivers a sheer techno monster ready to burn the electronic dancefloors around the globe.

A strong kick drum, distorted hi-hats and hedonistic sound-effects are the ingredients here and function perfectly around the long and merciless breaks. On Synth On Breeze. Alex Bau proves that dark and energetic techno is not strictly connected to cities like Detroit and Berlin or the electronic north of England but can also be found in lovely Bavaria. We are not joking: Alex Bau turns the international map of techno-music upside down by presenting these two powerful tracks.

There is no escape from this one for everybody who is into banging techno! The beat reminds us of some Reboot-productions without being a copy cat here at all. A great release with some extra dirt in the beat- and bass-programming. And all this is coming from Bavaria Johannes Heil, Markus Suckut Release: The two high profile producers seem to merge various techno influences out of the last 15 years here but they manage it to do this with their very own hand writing.

The opening track "Intuition" appears like Robert Hood and Speedy J helped out triggering the right sounds in the studio. However, you shouldn't expect a copycat or a remake here at all - "Intuition" is not just another wannabe dirty retro thing. The sound is fresh, the synths are clear and warm and the beat programming doesn't need any distortion to make you go crazy.

Track number two "Souls" follows that basic vibe. There is the fresh again jumping around that forces us to move our bodies on the dancefloor. However it is not Detroit that shines through here this time. There is some Mosaic and even Drumcode in here. Heil and Suckut just give us something back that was missed for so long. Good, solid techno with a soulful touch and cool sounds - with an improved quality and programming.

Track number three "Hectic" makes this picture complete. We don't know what you will think about this release but for us here at Cocoon this release is one of THE techno-records of the year! Johannes Heil and Markus Suckut team up for the new Cocoon Release and what they came up with is simply amazing!

With more than Some of them are dancing for more than thirty years to his music. They could be his children. In a notable podcast for the same page he offers us an insight in his musical interests beyond electronic dance music for the first time in years. For the first time, he mixes a continuous, nearly three-hour set. The lovely piano tones captivate the attention while psychedelic moments arouse curiosity. Then the party begins. Leon Vynehall draws us with gentle chords to the dance floor, D'Lonely Al adds a euphoric note.

They suspend this impressionistic, playful approach with a strong, emotional bass line. Sebastian Mullaert melds these scattered energies in a wonderful, cardinal number with Karim Sahraoui adding multifaceted emotions. With his nervous funk Elbee Bad adds physicality and sex appeal. With the fascinating "Rezo" by Marcel Philipp, the set reaches a first climax.

Being full of hope and promise the hookline is directed into the future, yet it does not loose contact to the here and now. The Lauer brothers combine the playful approach of the first tracks with a powerful, driving groove. With David August's epic "Epicurus" the acoustic space gains depth and richness.

Until now the set was a family affair, now you immerse yourself in the crowd and get carried away. Koze dissolves the anthemic pop song in poetic, trippy sounds.

Fun and easy turn into rapid and uninhibited. With his bright, crystal-clear sounds Benjamin Damage nets this turmoil. Dast manages to square the circle: With Sable Sheep the beats get complicated and dense. Wonderfully straight, the bassline of Gary Beck moves into the track, you feel its razor-sharp, driving force in your fingertips and your tows.

Gusts of sand grains form a massive sound wave that is sublime and a little scary at the same time. Now everything is possible: Daniel Stefanik counters with a pitch- black sentiment, its elegance being broken by a bizarre creaking and whistling.

With this unconditionally demanding machine music we have reached the climax. Transforming this extreme tension in a thrilling acid track, Techno innovator Luke Slater creates clarity and defines a target. MMM pull around the helm, with a fanfare they spread a funny, winking euphoria. Slam grant us a breather with a timeless party track. As in Far Eastern physical and spiritual practices, Yoga and Zen, it is often just a matter of holding the energy.

He always had the enthusiasm of a child. Now he is a wise man as well. Cocoon Recordings is back again with something fresh 'n hot by uprising player wAFF! A release that needs no warm-up, no introduction This is house, this is techno, there is bass, cool sounds and a beat that simply gives you all a beat can give. This release is not just another tool but also not a desperate attempt to produce the next super hit - it is in between these two corners and this makes it so good. Come on freeks, make your body move!

Sven is back at the track, in high form and in full effect! The master of all things techno and the international techno-shamen number one presents a pristine remix package just in time to celebrate his 50th birthday! This man layed down some of the biggest stones to the foundation of techno and tech-house and he has choosen the right names to spice up these classic hits!

Sven supported these folks right from the start and helped to spread the power of their megahit "Rej" even with some mad stagediving performances.

And the two did a proper job by transforming the original chill-out tune into a vital up-to-date tech-house gem. The result makes almost three generations of ravers feel home again while getting mad on the dancefloor.

The two are not even trying to create an up-to-date flavour here at all - which is just perfect! The Tuff City Kids remix focus' in a cool and impressive way on a strong and classic techno foundation. Banging beats, dark bass and synth sounds and the classic epic break in the middle We see names and labels like Octave One, West and Transmat when their remix starts to kick in and we just love it.

Verona based producer and DJ Luca Ballerini is our latest discovery and a perfect proof that Cocoon Recordings is still looking for new kids on the block and gives them the chance to step into the arena. Although we have to admit that Luca Ballerini is not a complete rookie anymore. After his debut on Siena Recordings in , Ballerini founded his own plattforms and released several productions on Musical Metaphor and Wax Jam. The dreamy and harmonic techno productions of Shlomi Arber or Guy Gerber seem to be the blueprint for Ballerinis style however the Italian producer is not copying here at all.

The israeli influence is noticable but Luca Ballerini creates his very own style by adding straight and solid techno- and house-beats. This special mixture covers a wide musical range from relaxed after-hour-techno to emotional peak-time clubsound. The perfect soundtrack to make it back to the clubs, leaving the cold and rainy open airs behind and heat up again for the all upcoming hot party nights!

Starting with the letter "A" we reached "N" meanwhile which probably marks one of the longest running techno-compilation-series ever around. The list of the featured artists is amazing and almost endless. With the new "Compilation N" we will add even more big names side by side to some fresh and promising ones.

Track number two by Julian Perez follows that feeling and explores the deep and dubby sides of techno, too. A perfect transition to Frankfurt homeboy Markus Fix. It's dub again however spiced up with hypnotic strings and a clubby kickdrum shaking our bass bins! With track number four, "Compilation N" opens the door to proper and kicking club music. Fitzpatrick adds more of a cineastic soundtrack flavour to the picture and creates big emotions here before Cavaan releases a thrilling Acid-monster "Wildness".

Coming up next is Truncate with track number seven that seems to be a little homage to the big days of the raw and kicking TR and the pure Underground Resistance techno from Detroit. Sam Paganini is following this vibe with "Labyrinth" however even darker with more energy and pressure.

These are the tunes that make big and foggy techno floors go crazy in the middle of the night. Track number nine "Luminous" by Lucy twist the knobs even further and beams us completely out of this world - if the tunes before didn't manage to do so ; "Les Gobelins" by Villanova doesn't need that pumping energy at all however it is quite a dark monster as well.

Mind blowing vocals, wild drum programming and echo-craziness define the techno state-of-mind of the year The last two tracks come from Swiss tech-house-pionier Ripperton and Ricardo Tobar. We hear modulating bassline, synthesizer-sirens and minimal drum programming that all in all create a vibe somewhere between techno, house and the late works of Aphex Twin. Number 14 presents 12 tracks with an impressive variety of all things techno these days.

This is definetly no hands-up-in-the-air action at all. It is techno-music in a deeper way with a lot to explore and something that will exists longer than just one summer. This is something we want more from Stefanik is a phenomenon! On the one side he is that crazy-cool party animal with amazing DJ-skills. His DJ-sets feature a wide variation of techno-, house- and minimal tunes all mixed up in a fresh and easy way that almost no one can escape from.

On his recent album for Cocoon Recordings Stefanik painted musical pictures of different moods and for different moments. A soundtrack for people living in the modern club world of cities like Berlin or London. Days of joy and sun vs. However with his new release on Cocoon Recordings Stefanik proofs how versatile he is as a producers by creating a vibe that refers more to his DJ-sets.

Stefanik melts down different club music ingredients to one unique mix here. We hear influences from Detroit, Chicago and Berlin mixed up in identical quantities.

Deeper house meet masculine basslines "Signs" and pitched-up Inner-City-like-beats merge with driving hi-hats and chopped up vocal-samples before the whole arrangement receives a proper 90s UK-styled synthesizer-polish "Illuminations". This is big, this is pure and it breathes energy.

Stefanik for this nice mix-up of 25 years of house and techno however all sounding fresh and modern. This only works with technomusic kids! Alan Fitzpatrick is one of the men of the moment speaking of all things techno!

Since his first steps into the arena in he turned into one of the most wanted producers around. His releases on labels like "Quartz", "My Favorite Robot" and especially on "Drumcode" brought him on par with the first line of international techno producers and DJs.

So we are more than happy that the man who rocked xxl will be the featured artist of our next release on Cocoon Recordings. Deep emotional techno full of warm chords and analogue basslines merged with cool beats to get that special Fitzpatrick vibe. Music for dancefloors and living rooms at the same time, charismatic and dynamic!

Alan Fitzpatrick is not just another name to be watched. He found his style and shows this in every track and in every of his DJ-sets that he played over the last months in Europe, North America, South America and Asia. He also started a new residency at London cult club "Jaded" every sunday morning and we are sure you will soon hear his Cocoon release there, too!

And coping with the pros and cons of nightlife is naturally a part of that. I needed a change of space and ambiance, not just a change of address. He and the British capital have had a close personal and musical relationship since the start of his career, he explains, so there was something almost organic about breaking camp in his old home on the River Main in order to set up afresh on the banks of the Thames. Norwegian Jazz trumpeter Arve Henriksen gets the ball rolling: And then he has to go.

The next gig calls. Another journey into sound! Mathias Kaden, Popof Release: Cocoon Ibiza turns fifteen! Finally, it's summer and we can't wait to pack our bikinis and flip- flops again for our annual trip to the island. Summer, sun and sand, here we come. And like the years before we need good music for our trip, don't we? So here we go again with the right soundtrack for the journey of our life. We are more than happy to present two very special artists again: The perfect "sound of cocoon ibiza" for the year and the perfect match to celebrate our 15th cocoon landing on one of the mediterranean most beautiful spots!

Chris Tietjen, Christian Burkhardt Release: Imagine Cocoon would be a big international football club Chris Tietjen would be definitely one of the talents coming out of the clubs very own player development program. And he has been pushed step by step to this point to stand on his own feet. Tietjen proofs every week that he is a promising young player and since he also entered the big field of music production.

After his mini-compilation-like debut on Cocoon Recordings which he produced together with Markus Fix, Reboot and Ricardo Villalobos and another 12" collab on Serkal Records together with Steve Ward he is about to present his Cocoon Recordings follow up now. Tietjens upcoming release is a stunning joint venture with the Frankfurt based tech-house-master Christian Burkhardt who released two still thrilling 12"s on Cocoon Recordings in and Especially his "Stopver Goa" release was a big success and somehow defined his sound like no other Burkhardt record before: He is the man for the big intersection of techno and house and for the hands in the air!

Tietjen and Burkhardt follow this basic musical map with their collaboration. Rolling beats, dry and sold drumsounds with a little retro flavour meet mystic and hypnotic effect-sounds and magical strings. The two create a vibe that reminds us of packed clubs, hot air, dancing people. The digital bonus track "Skizz" takes it a bit deeper but still with enough drive to make us dance all night long. Dyed Soundorom from France contributes a cool remix for "Chamber Nights".

He worked out the original parts with the typical Dyed Soundroom style based on percussive vocal samples that reminds us of his "Appolonia" masterpiece. The slight classic housevibe of the original is set back a bit as the remix breathes more minimal techno air.

Dyed Soundroom creates a solid floorweapon and makes the 4-track-package just perfect. Extrawelt, Dominik Eulberg Release: A Little Further 37 Routes A Little Further Imaginary Escort.

Dominik and Arne checked their fresh recorded sounds in the studio and found out that they have a common base and musical understanding. They started to work on new tracks and it looks like this joint venture will continue for a longer time. The first results of their mutual work is " This one seems to be tailor made for the next afterhour and the rising sun.

Dominik and Arne create the perfect mood for those special moments on the floor with a nice mix of energetic beats, interesting sounds and an emotional bass- and synth-programming.

So many layers and different levels however the overall picture never gets overcharged or too demanding. The synths are more scratchy and louder and the bassline seems to jump out of the speakers, this is a massive wall of sound production. The direction here is clear. However the two incorporated some cool and magic breaks that seem to refer to the deeper Eulberg sound which forms a great mix of two different techno-visions.

Last but not least there's the "Imaginary Escort" version which appears a bit like the dub edit of " This one emphazies the cool and reduced beat programming. The "Imaginary Escort" is more DJ-friendly and without the big breaks, it keeps the rolling beat going and going and we see the floors burning to this cool groover, too.

One of these tracks DJs can't wait to drop them in their sets! All three versions make a great package and a big release that breathes pure techno air. No pseudo- retro-hype and no tech-house-mash-up, this one is just techno. And it makes us even more excited looking forward to the upcoming festival season! With his next release he proofs that we all have been more than right to focus on that young man with his magic drum sticks!

Think of Plastikman, Underworld and Slam jamming together in an intensive studio joint and techno wunderkind Bracht is banging his drums along to it. This is pure energy We take a deep breath here of all the energy we heard before and enjoy the basic beat style of "Drumatic". Dark, deep, loud, Julien Bracht has it all for you. Cocoon Recordings very own "best of" series presents the next issue which is again simply called by the number of the release-order.

He even released his first solo" on Cocoon Recordings in which marked his final arrival in the techno-business. Tietjens progression as a DJ is clearly noticeable here as he laid down a very elegant and smooth overall mix.

He delivered one of the best of his mix-compilations so far. He starts the journey with two Matt John and one Minilogue track which creates a very moody and warm introduction. The transition into the following part can be seen as a kind of "warm up" one would like to hear in a good techno-club. From minute 22 onwards the mix starts to kick in and the bass-cabinets of your speakers should defintely move stronger now. It seems the "techno duet" is the new way to create cool club music these days.

The amount of energy here is triggering the right senses and beams us back to the high days of the Cocoonclub Frankfurt, the Cocoon Ibiza nights or all these infamous summer open airs. Tietjen manages to swing out as smooth as he started the mix. To cut a long story short: The Tuscan Techno-Wunderkind Ilario Alicante has made an amazing progression from an insider's tip to one of the most wanted Italian tech-house-DJs at the moment.

He joined Cocoon at a very early stage and we are proud that we accompanied his steps ever since then. However it is first of all Ilarios very own sound and style that brought him to this point.

This special mix of oldschool influences and pure analogue sounds merged with modern technique and styles and tools. You won't find just another plastic-loop-based track producer here nor a pseudo retro-fan again. Alicante tracks are fully focused on their floor potential however with just the right musical spice to make them that important bit different.

Elements of house, techno and various influences from all the good productions out of Chicago, Berlin, Detroit or Frankfurt, you all find it in here. In contrast to that "XYXY" is built on a nice and fat house-chord and almost waves a slight hello in the direction of DHS' "The House Of God" - this track simply breathes the definition of "tech-house".

The result is a very deep mix of hard techno that will be played on hot summer nights when the sun won't get down again. Mister Ryan Elliott from New York City is going into a different direction with his remix of "XYXY" and combines the original house-chord with almost oldskool breakbeat-house-elements. Ilario Alicantes latest release is a close to perfection package of all things tech-house and has something to offer for most of you dancers and DJs out there.

Hool We Do The Tool. Cocoon Recordings keeps on celebrating the arrival of the new year and with our second release in we present RAR's first 12" for Cocoon Recordings. Minilogue are known for their bigger than life electronic music adventures! Yes, you heard right: Markus Henriksson and Sebastian Mullaert decided to put their collaboration aside for an undefined period and focus more on their solo careers from now on.

However they are not waving good-bye without a last mega-sign of their former existence and we are proud and happy to be the label of choice to present this e. The sound and the arrangement follows the vibe of their last Cocoon albums. Minilogue at its best! With the ironic title "Nothing is Lost" Markus Henriksson and Sebastian Mullaert are hammering out a breathtaking epic monster that reminds us of the highly acclaimed remix by The Mole of Minilogues "Hispaniola".

Everybody who fell in love for Mole's remix back then will hear pure heaven again with this masterpiece. And despite the epic atmosphere and the impressive length of 14 minutes we are sure "Nothing Is Lost" will also feed the floors of many techno sets. With "What is there to Protect" digital only Minilogue do press every button modern electronic music offers.

This is not just music - it's a mad trip! A musical journey that more and more evokes a floor monster the longer it builds up. A 17 minute long synthesis of arts you won't hear anywhere else! Every second of this production should be worth to be heard.

And even if the 43 minutes total running long seems to be a bit unusual we feel and think this package is not a single minute too long! A busy year is about to end for Cocoon Recordings. We proudly look back to some of the highlights on Cocoon Recordings such as our th anniversary release compilation or the last Minilogue album. The last one of a string of fine releases will come from London based Tim Green.

Master Green released on labels like Four: Twenty, Get Physical or Dirty Bird over the last years. His new Cocoon production will be his third one for us which almost makes us his new musical homebase. One can feel the funkyness of producers like Adam Port here and the deepness of names like Julien Bracht at the same time. You also have the pushing and energetic vibe of producers like Harvey McKay in here, too. And for everybody who wants it more crazy and spaced-out Tim Green gives you "Humming Syrup" on the flipside.

Although outfitted with a sweet name this tune is solid freaky business. The perfect track for all the freaks out there! We say good-bye with a nice melt-down of the sound of Cocoon in the year Tim Green serves the right desert to a long and delicious Cocoon Recordings meal and leaves us all with a satisfied smile on our faces. In , Cocoon turned the beloved Amnesia into a tropical jungle. The jungle seduces with lush colors and intriguing sounds. Without hesitation you dive into lush greens, amazed by heat and beauty.

The sun beaming, wind rushing through, unimaginable beasts roaring in the distance — it might all seem a bit too intense. You might feel lost. Beauty turns into dreariness, an adventure becomes a nightmare. But there is sound, a call. It is as a groove, gentle yet firm, elegant but demanding. These beats lead you through the adventure. He is also the host of the whole event, using music, dance, performance, pyrotechnics and set design to create an integral experience.

This time, the approach is different: Instead of creating two mixes representing each night and day, he produced one continuous set. Yet this is only the beginning of the set. An end is also a beginning. Every beginning is the end of something else as well. Cocoon Hero Ricardo Villalobos creates an unlikely encounter of a driving bassline and a restrained beats topped by intangible strings. Losoul returns with another one of his subtle yet powerful grooves.

There are no big moves necessary to jolt at the basement of the club. The second part sets of on a slightly different, mellow note. The contrast of its alluring melodies and the heavy bass put the crowds of this season consistently under their spell.

Makam releases the raw immediate energy of his emotionally versatile house style. At this moment, wAFF only need very little to finally push the crowd into the abyss of pure ecstasy.

Everything is possible now. Nihad Tule drops fierce electronic sounds barley heard before, Psyk creates a multilayered sound sculpture full of movement and life.

Len Faki and Johannes Heil suggest a certain seriousness. A horn call seems to ask the dancers to persist for a moment and remember the smiles and sweat and everything else that counted in the summer of Cocoon latest artist signing Coyu is back on the track with his second Cocoon Recordings release.

And he strikes back louder and heavier than ever before! A must play for the end of this years techno season. The message is clear and pure madness is called out on techno-floors with this one. This is another proper techno-monster and Coyu added some cool house-elements here. Tribal beats and vague vocal samples shimmering in the backround make us want to dance around a tribal bonfire at night.

This one is for the dancers and not for the rubbernecks! Riccardo Ferri, Mauro Picotto Release: You still find them, these stories of a producer handing over a demo-CD-R to the DJ in the limelight hoping he will listen to it. And imagine all this on Ibiza, in a full club madness all around with long after hours following and even hotter days waiting. How many CD-Rs got lost in this universe of madness? However, this story here has a different ending.

And Sven saved it and made sure it will see the daylight. He checked the demo right after the night was over and loved it from the first second.

Since then the Dubplate have been part of Sven's sets and will now even see the release on Cocoon Recordings! And the message of this release is clear: Cool but lush house beats with the right amount of techno added, merging with hypnotic synths and monster basslines that force you to dance, dance and dance! Get crazy, get lost, forget where you are, shake your head and feel the vibe! These guys know what they want and how they get it!

Sure, Mauro Picotto is a master of all things hedonistic techno, however, this gem is one of his best productions ever! Their second track "EMP" proves this even more, as this is another masterpiece of techno-madness!

This one will get you on the floor and keep you there forever! This is pure acid thunder that will make small dark clubs move as well as big rave floors. Almost relaxed but still highly floor-orientated this one is loaded with emotions, features vocal samples and string sounds. Cinnamon Kiss Push It.

Harvey McKay is back on the track, and stronger and harder than ever before! His last release for Cocoon climbed to the top position in the Beatport charts and stayed there for quite some time and it was about time that the drumcode- and soma-recordings producers returns to Cocoon.

And the wait was worth it as he manages it to bang the drums even more with his new release! A massive tech-house-tune with cool oldskool house chords and cool break downs that will put raverhands up in the air. However there is even more here waiting for you as "Push It" does what the names says and pushes the beat even higher! This tune is energy loaded and will power your legs to dance, dance and dance.

A pumping techno monster that even features a little D-Shake sample for the ones who know. Pure Testosterone and a clear message: Get on the floor and get crazy!

One for the big raves! Cocoon Recordings celebrates the th release! Well, to be honest, we are even over in the meanwhile as our anniversary release needed some time to get well prepared and to make sure it will be a very special one.

So we needed some time to come up with the right celebration pack here and we are sure this is it! Without you this magic number wouldn't been reached at all! Daniel Stefanik generated some buzz this year with his latest album release on Cocoon Recordings. And he prooved with a number of outstanding DJ-sets over the last weeks that he progressed to a well respected and some of the "most wanted" artists around.

We are happy to have the Leipzig house hero aboard and we are proud to announce the long awaited remix" featuring remixes by Adam Port, Mr. G, Mathias Kaden and Legowelt. All four delivered outstanding mixes and we are not only saying this because we have to. Let's begin with Adam Port's remix for "Confidence" in which he delivers a real deep and housey gem with cool Moodyman-like elements. The dark bassline could also be found in a Carl-Craig-Mix and creates a deep arrangement with lots of space and room.

However don't sit back and relax as Adam Ports manages it to conjure a hedonistic and energetic tune that will for sure set floors on fire this summer! Although this Adam Port remix seems to be different to the ones we know at first glance it turns out to be one of his best works ever so far!

Another "Adam Port sure shot! The synths and the dub chords on top make this arrangement complete and close to perfection when it comes to merge house and techno.

This one will be heard in many DJ-sets this summer for sure! G is following the house route here, too however he creates an atmosphere closer to the one on Stefanik's album. He incorporates more oldskool elements such as straight forward hihats and cymbals which results in a driving piece of housemusic.

The filtered strings on top create a dark and foggy club vibe like we know it from the good old days of dirty house music. Last but not least there is Legowelt with another remix. And no surprise Legowelt focus on the technoid and crazy side of house and techno. A crazy piece of music that could fit into a modern Sci-Fi-Soundtrack and almost deserves the rating "Meisterwerk".

Ilario Alicante, Alejandro Mosso Release: Face facts, there hardly has been a "summer" for us here in middle europe this year and this makes us all even more desperate to listen to "the sound of summer" at least. And here it is, the official cocoon-soundtrack for all you warm hearted sunfreaks and island-hoppers out there. Please welcome Ilario Alicante and Alejandro Mosso on the new cocoon ibiza double-cd-feature.

Let's start with the Italian Ilario Alicante and his DJ-mix to get the immediate scoop of what makes this guy so special:

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